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Last
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This
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Presented
by Ed Stewart
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Week
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Week
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1
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1
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Yellow Submarine / Eleanor Rigby | Beatles |
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2
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2
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God Only Knows | Beach Boys |
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7
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3
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More Than Love | Ken Dodd |
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3
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4
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I Saw Her Again | Mamas & Papas |
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8
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5
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Doctor Love | Bobby Sheen |
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10
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6
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Hi-Lili Hi-Lo | Alan Price Set |
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5
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7
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With A Girl Like You | Troggs |
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4
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8
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I Want You | Bob Dylan |
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22
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9
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Just Like A Woman | Manfred Mann |
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11
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10
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Headline News | Alan Bown Set / Edwin Starr |
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17
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11
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Give Me Your Word | Billy Fury |
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16
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12
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Big Time Operator | Zoot Money's Big Roll Band |
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20
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13
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All Or Nothing | Small Faces |
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30
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14
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They're Coming To Take Me Away, Ha Haa! | Napoleon XIV/Kim Fowley |
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23
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15
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Warm And Tender Love | Percy Sledge |
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24
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16
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Got To Get You Into My Life | Cliff Bennett & the Rebel Rousers |
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9
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17
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Summer In The City | Lovin' Spoonful |
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14
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18
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Tell Her | Dean Parrish |
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13
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19
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Lovers Of The World Unite | David & Jonathan |
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33
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20
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So Fine | Santelles |
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21
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21
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Where Were You When I Needed You? | Grass Roots |
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12
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22
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Visions | Cliff Richard |
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19
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23
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Barefootin' | Robert Parker |
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26
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24
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The Moment Of Truth | Three Good Reasons |
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29
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25
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Popsicle | Jan & Dean |
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26
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Out Of This World | Chiffons |
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39
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27
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When You Walk In The Sand | Tuesday's Children |
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19
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28
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How Long Is Time? | Odyssey |
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34
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29
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Harlem Shuffle | Mike Cotton Sound |
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30
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Too Soon To Know | Roy Orbison |
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28
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31
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I Love How You Love Me | Paul & Barry Ryan |
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32
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Tossin' And Turnin' | Dave Davani Four |
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40
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33
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Summertime | Billy Stewart |
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34
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Good Day Sunshine | Tremeloes / Glen Dale |
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37
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35
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This Heart Of Mine | Jimmy James & the Vagabonds |
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36
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Goodbye Bluebird | Wayne Fontana |
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37
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I Cast My Fate To The Wind | Shelby Flint |
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37
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Stop That Girl | Chris Andrews |
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38
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Working In The Coal Mine | Lee Dorsey |
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39
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You Can't Roller Skate In A Buffalo Herd | Roger Miller |
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40
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I Can't Turn You Loose | Otis Redding |
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40
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You Make Me Feel Like Someone | Billy J Kramer |
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30
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14
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They're Coming To Take Me Away, Ha Haa! | Napoleon XIV/Kim Fowley |
Throughout the Big L 2001 RSL, Paul Graham regularly featured
tracks from the weird LP by Napoleon XIV,
aka Jerry Samuels. Bearing the same title
as his much-banned single, They're Coming to Take
Me Away, Ha Haa, this album, which unsurprisingly features a conglomeration
of bizarre tracks, has now become something of a collector's item.
Kim Fowley released his own version of They're Coming...
on CBS 202243. Brian Long, in The London Sound,
reveals that the Fowley B-side is called You
Get More For Your Money, On the Flip Side of This Record, Talking Blues. (You certainly got more than on the B-side of Napoleon
XIV's version, which was just the A-side played backwards!) The
song is published by Pall Mall, the company partly owned by Radio London.
(See Tornados story below) The publishing
contract for You Get More... credits
both Fowley and one Anthony X Bulldog
as composers. 'Bulldog' was Mike Stone,
a Californian who held the post of Radio London's PR and promotions man. Presumably,
the pseudonym was chosen with tongue firmly in cheek, because the
lyrics of They're Coming... considered
so controversial at the time, are about a runaway dog, as in, "I'll find you
yet and when I do I'll put you in the NSPCA, you mangy mutt!"
The full lyrics to They're Coming...
are widely available on the Internet, but for a more up-to-date take on the song,
see: I'm Going To Ban Your Domain, Ha-Ha
(The Lament of Phil Lawlor XIV)
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| DJ Climbers: | ||
| My Heart's Symphony | Gary Lewis & the Playboys | Tony Blackburn |
| Sunny | Bobby Hebb | Chris Denning |
| Distant Shores | Chad & Jeremy | Dave Dennis |
| I Dig Everything | David Bowie & the Buzz | Kenny Everett |
| If You Ever Leave Me | Jackie Trent | Paul Kaye |
| Just A Dream | Chris Farlowe | Mike Lennox |
| Ashes To Ashes | Mindbenders | Mark Roman |
| Distant Drums | Jim Reeves | Keith Skues |
| It's Been Such A Long Way Home | Garnet Mimms | Ed Stewart |
| Go Where You Wanna Go | Overlanders | Norman St John |
| (You Make Me Feel) So Good | McCoys | Tony Windsor |
| Climbers: | |
| Is That A Ship I Hear? | Tornados |
| Turn Down Day | Cyrkle |
| Here There And Everywhere | Episode Six |
| Never You Hurt The One You Love | Laurel Aitken |
| Wade In The Water | Graham Bond Organisation |
| Just Once In My Life | Righteous Brothers |
| Peace Of Mind | Zuider Zee |
| Pack Your Bags | Brendan Phillips |
| Disc of the Week: | |
| Step Out Of Line | Twice As Much |
| Album of the Week: | |
| The More I See You | Chris Montez |
| Is That A Ship I Hear? | Tornados | Columbia DB 7984 |
In July 2006, The Guardian published an
article by Alexis Petridis in which he describes Do You Come
Here Often? – the B-side of Is That A Ship I Hear? – as "the
most astonishing record of 1966." The cause of the astonishment is that
the otherwise instrumental B-side was boldly enhanced by
Joe Meek with a conversation between two men who sound camper than
Round the Horne's Julian and Sandy. The recording is regarded as the
first indisputably gay single and is highly collectible, mint
copies fetching around £40.
The Guardian feature covers the release of a 24-track CD compilation, From
the Closet to the Charts: Queer Noises 1961-1978, which includes Meek's
1966 masterpiece alongside the Kinks'
See My Friend. The Kinks released their single (apparently regarded
as an oblique paean to homosexuality) in 1965. However, Do You Come Here
Often? is regarded as the first release of something rather more blatant.
Do You Come Here Often? is published by Pall Mall, the company
partly owned by Radio London. The Pall Mall catalogue contained eleven Joe
Meek titles. Members of the Tornados are
accredited as the ditty's composers, although as Alexis Petridis remarks: "Quite what the Tornados made of their pill-maddened producer's latest
wheeze, let alone anyone who heard the song in 1966, is an intriguing question."
It's possible the Tornados laid down an instrumental and Meek mixed in the
risque conversation later. Either that, or the Tornados were so used to the
camp goings on chez Meek, that they regarded the recording as 'just another
gig'. Whatever the case, Is That A Ship I Hear? and its controversial
B-side was to be the band's final single. All the original Tornados who had
enjoyed an international mega-hit with Telstar, had departed their
ranks by this time.
The Radlon management who were later to take exception to the lyrics of Arnold
Layne and ban it from the Big L playlist, presumably remained blissfully
ignorant of the existence of the 'astonishing' Tornados B-side. Ironically,
it would have been perfect for the Camp Coffee Break!
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The red additions to the climbers indicate singles listed in Brian Long's book 'The London Sound' based on information typed in the Curzon Street offices or other sources.
Alan Field did not hear them played or announced as climbers.
The Caroline 'Countdown Sixty' chart (south ship) for this week is here
Tune in next week for another Field's Fab Forty