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The Knack joined the Knees Club at the Radio London Club Afternoon at London's Marquee Club on Saturday, April 9th 1966. The knees of band members Paul Curtis, gtr, (#185), Brian Morris, gtr, (#187), (Graham) Topper Clay, drms, (#184) and Mick Palmer, bs, (#186). (This Knack should not be confused with the American group of the same name who scored with My Sharona in 1978.) The Knack were originally
called the Londoners, and in 1964,
were backing rocker Gene Vincent.
Topper Clay began his musical
career in a skiffle group at school. Brian
Morris had been a member of Earl
Preston and the Realms. The change of name occurred on
the boys' return to London from a six-month residency at the famous
Star Club in Hamburg. Presumably the name came from Dick
Lester's 1965 'Swingin' London' film, The Knack... And
How to Get It. In January 2002, the two missing pieces of the Knack jigsaw puzzle were finally unearthed. First, the Radio London Webmasters received the following knee-mail:
Coincidentally, Topper's message arrived just after the second piece
of the puzzle had fallen into place, with the realisation that at some
stage, the Curtis family had reverted
to their real surname of Gurvitz.
In fact, in a few bios, their name is listed as Curtis-Gurvitz,
which is the one that will be used from now on in this feature, to try
and avoid further confusion! In this photograph, Gearie Kenworthy (right) has already
replaced Mick Palmer. Gearie (#273) also joined the KC at the Marquee
on April 9th, but at that time was still a member of Kent outfit, the
Limeys. From left: Paul, Brian, Topper and Gearie. (Sorry,
Paul, but tartan-enhanced shirts never caught on before the Bay City
Rollers.) I was thrilled when the band gave me the white label copy of Stop/Younger Girl, pictured at the top of this feature. Younger Girl is a much slower version of the Critters' hit, penned by John Sebastian, a recording which, which coincidentally accompanied the Knack in the June 19th Fab, having shot up ten places from #24 to #14. Even more exciting, as far as I was concerned, the Knack's manager, Sam Curtis-Gurvitz, asked me to run a fan club for the band. I never realised at the time that Sam and Paul Curtis-Gurvirtz were father and son. Adrian and Paul Curtis-Gurvitz were born in Gants Hill. Dad Sam, had been a tour manager for bands like the Kinks and Cliff and the Shadows, and both sons were influenced to start singing and playing music while very young. Adrian was playing professionally by the age of fifteen, backing artists like Billie Davies. A photo of Sam is on Paul's website. My mother, highly suspicious of the proposed fan club project and the effect it would undoubtedly have on my schoolwork, escorted me to Sam's office on Hendon Broadway to discuss this unpaid job. The letter from Sam, (left ) is complete with my scribbled instructions as to which bus we should catch from Hendon station to his office. Although, much to Mum's relief, the fan club never came to fruition, the group made me an honorary member. So proud of this was I, that I used to sign my name 'M. Wingert, HMK' (Honorary Member of the Knack)'.
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The Knees Club received the nice letter (above, right) from Paul Curtis-Gurvitz, postmarked 20th July 66, and signed with a pair of knobbly 'Knack Knees'. In the tradition of writing romantic (or just plain rude) acronyms like 'S.W.A.L.K.' (Sealed With A Loving Kiss) on the backs of envelopes, Paul has written K.N.A.C.K. on his, translating it below as 'Kisses Never Always Crumble Knees'. We next heard from Paul on 22nd March 2002, via knee-mail:
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The Gurvitz brothers have been involved in numerous musical projects
since the demise of The Knack and Gun. Both are now living on the West
Coast of America, and are still heavily involved in the music business.
Topper Clay joined New York Public Library in 1967, followed by ex-Knack-colleague Brian Morris, in 1968. Topper, says: More about NYPL and where to buy their CD Keep A Clear Head can be found here.
Photograph of Topper in 2000, by Tony Willey
from the liner of Keep A Clear Head
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