Last |
This |
Presented
by Tony Blackburn |
|
Week |
Week |
||
2 |
1 |
Ha! Ha! Said The Clown | Manfred Mann |
1 |
2 |
A Little Bit Me, A Little Bit You | Monkees |
10 |
3 |
Funny Familiar Forgotten Feelings | Tom Jones |
7 |
4 |
Hi Ho Silver Lining | Jeff Beck |
6 |
5 |
I Can Hear The Grass Grow | Move |
19 |
6 |
Birds And Bees | Warm Sounds |
13 |
7 |
Travelin' Man | Stevie Wonder |
11 |
8 |
Too Many People | Bobby Goldsboro |
4 |
9 |
I'm Gonna Get Me A Gun | Cat Stevens |
|
10 |
Purple Haze | Jimi Hendrix Experience |
23 |
11 |
The Boat That I Row | Lulu |
26 |
12 |
What'll I Do | Peddlers |
25 |
13 |
What A Woman In Love Won't Do | Sandy Posey |
21 |
14 |
Come Back Girl | Jackie Edwards |
|
15 |
Seven Drunken Nights | Dubliners |
3 |
16 |
Bernadette | Four Tops |
|
17 |
Gonna Give Her All The Love I've Got | Jimmy Ruffin |
5 |
18 |
Beggin' | Four Seasons |
40 |
19 |
It's Wonderful (To Be In Love) | Cash McCall |
16 |
20 |
Jimmy Mack | Martha & the Vandellas |
|
21 |
New York Mining Disaster 1941 | Bee Gees |
17 |
22 |
The Return Of The Red Baron | Royal Guardsmen |
32 |
23 |
One To Seven | Gates Of Eden |
15 |
24 |
Crystal Ball | Guy Darrell / Twice As Much |
|
25 |
Sometimes | Rockin' Berries |
20 |
26 |
Gonna Fix You Good (Everytime You're Bad) | Alan Bown Set |
|
27 |
It Ain't Me Babe | Davy Jones |
|
28 |
Nick Knack | Zoot Money's Big Roll Band |
|
29 |
A Girl Without A Boy | Sheila Southern |
34 |
30 |
Fortune Teller's Friend | Jerry Page |
33 |
31 |
I Know You Love Me Not | Julie Driscoll |
12 |
32 |
At The Zoo | Simon & Garfunkel |
|
33 |
Town Of Tuxley Toymaker | Billy J Kramer |
8 |
34 |
Yellow Balloon | Jan & Dean |
|
35 |
Show Me | Joe Tex |
|
36 |
Don't Go Home (My Little Darlin') | Susan Maughan |
|
37 |
The Magic Book | Gibsons |
36 |
38 |
Bert's Apple Crumble (*) /Love Is A Beautiful Thing | Quik |
|
39 |
The First Cut Is The Deepest | P P Arnold |
|
40 |
I Can Fly | Herd |
Originally a trio, the Gibsons had enjoyed success in Australia for some time, as the Cicadas. Emulating aother very well-know band of 'insects' these Aussie invertebrates had stormed the charts in both Brisbane and Sydney with a cheeky 'yeh yeh yeh' version of That's What I Want (the Marauders' UK success, written by Carter-Lewis). The band arrived in the UK in 1964, changed name to The Gibsons and signed with Philip Solomon to his Major Minor label, although only the three singles issued after Magic Book were released on Major Minor. The name came from Gibson guitars. John Bromell, Geoff Dart and John Kaye were joined by Paul Stevens to record Magic Book, penned by Roger Greenaway and Roger Cook, the renowned songwriters who recorded hits of their own as David and Jonathan. The song was covered by other artists, including Marc Reid and Peter's Pipers. Not surprisingly for a group managed by Phil Solomon, the single appeared in the Caroline chart of 08/04/67. It became very familiar to Caroline listeners when used as a backing in promotions for John Venmore-Rowland's book Radio Caroline. After failing to ignite the UK charts with this or subsequent releases, the Gibsons returned to Australia in 1970 and although the band split, all the members continued to work within the music business. More info here. |
DJ Climbers: | ||
Little Games | Yardbirds | Tony Blackburn |
Peanuts And Chewy Macs | Cymbaline | Chuck Blair |
Pictures Of Lily | Who | Tony Brandon |
Girl I Need You | Artistics | Pete Drummond |
I Never Loved A Man (The Way I Love You) | Aretha Franklin | Paul Kaye |
Silence Is Golden | Tremeloes | Lorne King |
Let's Live For Today | Living Daylights | John Peel |
Get Me To The World On Time | Electric Prunes | Mark Roman |
Girl, You'll Be A Woman Soon | Neil Diamond | Keith Skues |
Western Union | Searchers/Five Americans | Ed Stewart |
As reported last week, on April 15th and 16th, Jonathan King had made on-air
appearances on Radio London, playing new records he had acquired on a trip
to America.
Could this appearance be related to the large proportion of US singles chosen
as this week's climbers? The Artistics, Aretha
Franklin, Electric Prunes, Five Americans, Neil Diamond, Sam the Sham and The Happenings had all featured
recently in the US Hot Hundred. Many US acts also enhanced the Ballad
Box and Soul Set.
The Artistics only reached the HH lower end at #69, but climbed to #26 on
the separate R & B chart, the Electric Prunes peaked at #27, Aretha, #9,
the Five Americans, #5 (their biggest hit), Neil Diamond, #10, Sam the Sham,
#54 and the Happenings, #3.
Of those seven singles the only two to reach the UK Nationals were the Prunes,
#42, and the Happenings, #28. Amazingly, Neil
Diamond failed to crack the British Nationals till
1970.
Girl I Need You | Artistics | Coral Q 72492 |
The Artistics were an R & B vocal group from Chicago, Illinois, formed in 1958. Discovered by Major Lance, while still in High School, they sang backing on his 1963 Top Ten hit, Monkey Time. The group underwent several personnel changes, but the line-up for Girl I Need You, is believed to have been Tommy Green, Larry Johnson, Jessie Bolian and Aaron Floyd. The Artistics split up in 1973.
Western Union | Five Americans | Stateside SS2012 |
Western Union, became a US hit thanks to Jimmy Rabbitt, National Promotions Director for the Texas-based Abnak record label. Jimmy had previously been Music Director of Big Lil's Dallas cousin, KLIF. The story of how Abnak sued KLIF for failing to promote one of the Five Americans' singles is featured on the Fab Forty for June 4th, 1967.
April 16th
The King George and
the Harlem Kiddies tour was at the Ricky Tick Club, Newbury. On the 21st, it played the Nautilus Club, Lowestoft, followed by the Rhodes Centre Bishop's Stortford on the 22nd.
April 21st
Cuddly Ken's replacement, Tony 'Bird Brain' Brandon introduces his first Big L show and lands
a great first climber – the Who's Pictures
of Lily. Tony was fresh from a year on Radio Luxembourg and a brief spell
on Radio City.
Ashore
April 22nd
Mark Roman compered a Big L show at the Starlite Ballroom,
Greenford, introducing the Symbols and Knees
Club favourites, the Knack.
Climbers: | |
Oh! That's Bad; No That's Good | Sam the Sham & the Pharaohs |
Bless My Soul (I've Been And Gone And Done It) | Studio Six |
Mama Come On Home | Tony Kingston |
Count To Ten | Wishful Thinking |
The Laughing Gnome | David Bowie |
Say You Don't Mind | Denny Laine |
Rhyme Boy, Rhyme | Roulettes |
Maroc 7/Bombay Duck | Shadows |
Time Will Tell | West Point Supernatural |
I'm Under The Influence Of Love | Felice Taylor (**) |
Can't Stop Now | Marmalade |
The Happening | Supremes |
Disc of the Week: | |
I Got Rhythm | Happenings |
Album of the Week: | |
All Strung Out | Nino Tempo & April Stevens |
Count To Ten | Wishful Thinking | Decca F12598 |
Wishful Thinking had already appeared
twice on the Big L playlist. Turning Around, (Turning Around on the label, but sometimes listed as
'Turning Round' ) was John Edward's
climber in the week of 26th June '66, but never made the Fab. Step by
Step scraped into the Fab at joint #40 on October 9th '66. Both of these
singles were recorded by the band's first line-up of Roy
Daniels (vcls), Terry New (lead gtr), Roger Charles (bass) and Brian Allen (or Allender)
(drms).
Kevin Scott (b Finn) then took over
from Daniels as lead singer. His stage name Scott had been adopted when
he led Kevin Scott and the Kinsmen in
the early Sixties. Count To Ten was
the first of two singles recorded by this 1967 line-up. Count
To Ten, which failed to climb out of the
climbers, was written by the partnership of Guy
Fletcher and Doug Flett,
who had received the honour of being the first British songwriters to have
their compositions recorded by Elvis. Fletcher and Flett also gave Cliff
Richard a #4 hit plus a #3 placing in the 1973 the Eurovision
Song Contest, with Power To All Our Friends.
All three of these Wishful Thinking singles were produced by Decca 'A & R' man and former Shadow, Tony Meehan. Renowned drummer Mitch Mitchell is reputed to have played on Count to Ten although the author of Mitch's tribute site believes that if he did indeed feature on this Wishful Thinking single, it must have been recorded some time earlier, as by this time he was fully committed to the Jimi Hendrix Experience. Sadly, despite having so much going for it, Count
To Ten fared no better than the group's other singles, either
in the Fab or nationally.
Later in '67, John Franklin replaced
Terry New on lead guitar, and in 1969, Tony Collier took Roger Charles' place as bass player. The line-up of John Franklin,
Tony Collier, Kevin Scott and Brian Allen (drums) was the one that recorded
the Hiroshima album in 1970. The eponymous song from it became a
huge hit when issued as a single in Germany. Every song on the Hiroshima album, bar one, was written by Dave Morgan,
(now known as Dave Scott-Morgan) an accomplished songwriter who enhanced numerous Sixties and Seventies bands,
including the Uglys. The Move recorded two of Dave's songs, Something and This Time Tomorrow, as 1968 'B' sides. Dave is well-known for his
musicianship with the Electric Light Orchestra between August 1981
to September 1986.
From 1976 to 1978 Kevin Scott (now calling
himself Danny Finn) was a member of
the New Seekers. In 1978 he married
fellow Seeker Eve Graham and they left
the band to work as a duo.
In 1979, Finn another became lead singer with the group Prima
Donna. Their performance of Love Enough For Two brought
the UK a #3 position in the 1980 Eurovision Song Contest. Finn's fellow
Prima Donna members included two of Paul McCartney's
cousins Kate and Jane
Robbins and Lance Aston.
The following is a quote from Wishful Thinking member Tony Collier. It is an extract from a very interesting feature which Tony wrote and appears on www.wishfulthinking.de As will be revealed, Tony can claim a very early offshore connection!
My first recollections of starting to play in a group were when I was about 15 years old. It was at school, and 4 or 5 of us decided to form a skiffle group because the Lonnie Donegan group were becoming popular. We came up with an original name, "The Bronnie Onegan group". Honest, it's true! I played washboard, which eventually became drums. Actually, that should read 'drum', because I only had a snare, one brush and one stick. Our first gig was the school concert. I particularly remember that because we painted moustaches and sideburns on our faces to make us look older. What prats!! It must have been really crap.
This was about the time that we formed the Five Strangers. I think that was when the band was comprised of myself, 'Fred Funnel', Brian Fisher, Roy Bridle and Bill Yaldren. We did some great gigs at that time. One of the best was the Saturday morning "Gaumont Show", but I have to say that all of the gigs were good. Our good friend Len Canham was managing us throughout the early years. I also recall working for the great rival of Len. His name was Reg Calvert. I think, deep down that it was friendly rivalry. Some of Reg's acts were good. Remember Danny Storm, Buddy Britain?
In '69, I joined Wishful Thinking. Wishful was comprised of myself, John Franklin, Kevin Finn (remember Kevin Scott and the Kinsmen?) and Brian Allender. Now that was a great vocal band! We had loads of singles and a couple of albums, but no hits in England. We did have a monster hit with a song called Hiroshima in Germany. At the time, it was the second biggest seller ever over there. We did a short tour to promote the single which was terrific.... The tour, not the record!... In hindsight, we should have stayed over there for a long time, because the band was really popular, but because of bad management, we came back and didn't push the band. Brian left after a while and a great drummer called Pete Ridley joined. I think that Pete is working in America now. I haven't had any contact since we split from Wishful, so if anyone knows where he is, let me have his address please. Apart from touring Britain extensively, we were always touring Norway, Sweden and Denmark, where the band was a huge success.
Ballad Box: | |
The Three Bells | Jane Morgan |
Music To Watch Girls By | Andy Williams |
Almost Persuaded | Crispian St Peters |
You Win Again | Ray Charles |
It Must Be Him | Vikki Carr |
Soul Set: | |
Knock On Wood | Eddie Floyd |
Wrecking My Love Life | Bo Diddley |
Let The Birds Sing | Carl Douglas & the Big Stampede |
I Call You Lover But You Ain't Nothin' But A Tramp | Margie Hendrix |
Sugar | Joyce Bond |
Let Me Come On Home | Otis Redding |
Sweet Soul Music | Arthur Conley |
When Something Is Wrong With My Baby | Sam & Dave |
Soothe Me | Sam & Dave |
Hip Hug Her | Booker T & the MGs |
Do I Move You? | Nina Simone |
Green additions to the climbers indicate singles sourced from 'Monty's Diary'. (See Fab Forty for 010167). The Shadows' record continues to be listed as a double-sided climber, as per the previous week. This time, however, only Maroc 7 features on Brian Long's Curzon Street list, while Monty has only noted hearing the B side Bombay Duck.
The blue additions indicate singles listed in Brian Long's book 'The London Sound' based on information typed in the Curzon Street offices or other sources.
Mauve additions to the climbers were kindly contributed by Hans Evers
Alan Field did not hear the records listed in green, blue or mauve played or announced as climbers.
(*) In its second week in the chart, both sides of the Quik record are listed, but with emphasis on 'Bert's Apple Crumble' according to both Brian Long's and Hans Peters' lists.
(**) Wolfgang Buchholz confirms Brian's listing of the Felice Taylor record which, rather strangely, doesn't enter the chart until four weeks later on 14th May 1967.
The Caroline 'Countdown Sixty' chart (south ship) for this week is here
Tune in next week for another Field's Fab Forty