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Kenny and Cash's all-time-#1-most-hated-single peaks at #4. 'Il Silenzio' (The Silence) was a trumpet solo plus heavenly choir, based on 'The Last Post' and was about as cheerful as 'Eve of Destruction'. Kenny and Cash delighted in playing noisy sound effects such as machine-gun fire over the entire single, at every opportunity.
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Last
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This
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Presented
by Dave Cash
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Week
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Week
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2
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1
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Like A Rolling Stone | Bob Dylan |
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10
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2
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Look Through Any Window | Hollies |
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6
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3
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Whatcha Gonna Do About It? | Small Faces |
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8
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4
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Il Silenzio | Nini Rosso |
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12
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5
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Hang On Sloopy | McCoys |
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5
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6
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Just A Little Bit Better | Herman's Hermits |
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13
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7
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Take A Heart | Sorrows |
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11
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8
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Universal Soldier (EP) | Donovan |
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1
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9
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(I Can't Get No) Satisfaction | Rolling Stones |
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18
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10
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Eve Of Destruction | Barry McGuire |
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3
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11
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What's New Pussycat? | Tom Jones |
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4
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12
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I Got You Babe | Sonny & Cher |
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7
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13
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Make It Easy On Yourself | Walker Brothers |
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25
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14
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(It Won't Hurt) Half As Much | Them |
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15
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15
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Hark | Unit 4 + 2 |
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17
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16
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California Girls | Beach Boys |
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27
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17
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Baby Don't Go | Sonny & Cher |
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9
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18
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Laugh At Me | Sonny |
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34
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19
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It's All Over Now Baby Blue | Joan Baez |
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26
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20
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It's The Same Old Song | Four Tops |
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21
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Move It On Over | Del Shannon |
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38
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22
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You've Got To Hide Your Love Away | Silkie |
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20
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23
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Hurt Me If You Will | Mark Four |
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23
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24
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Ju Ju Hand | Sam the Sham & the Pharaohs |
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25
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Night People | Measles |
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26
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If You Gotta Go, Go Now | Manfred Mann |
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33
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27
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Whenever You're Ready | Zombies |
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28
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Shake And Fingerpop | Junior Walker & the All Stars |
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32
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29
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She Belongs To Me | Masterminds |
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30
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Papa's Got A Brand New Bag | James Brown & the Famous Flames |
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31
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Tears | Ken Dodd |
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14
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32
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All I Really Want To Do | Byrds / Cher |
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37
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33
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Untrue, Unfaithful | Nita Rossi |
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29
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34
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Run To My Lovin' Arms | Billy Fury |
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28
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35
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Save Your Heart For Me | Gary Lewis & the Playboys |
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36
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She Needs Love | Wayne Fontana & the Mindbenders |
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37
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'Til I Lost You | Vince Everett |
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38
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Gloria | Wheels |
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35
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39
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Some Of Your Lovin' | Dusty Springfield |
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40
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Agent 00 Soul | Alex Harvey / Edwin Starr |
This week's Fab 40 is Brian Long's updated/corrected version of the chart originally published in his book The London Sound.
When you're hot, you're hot.... This chart contains no less than five Bob Dylan compositions. As he hits #1 with his own recording Like A Rolling Stone, it's worth mentioning that Bob also wrote It's All Over Now Baby Blue (Joan Baez, #19), (the Leroy Van Dyke version having vanished after pacing Joan's for two weeks), If You Gotta Go, Go Now (Manfred Mann, #26), She Belongs To Me (The Masterminds, #29) and All I Really Want To Do (two versions: The Byrds and Cher, #32). Hats off to Mr Zimmerman!
| DJ Climbers: | ||
| It's Good News Week | Hedgehoppers Anonymous | Pete Brady |
| Message Understood | Sandie Shaw | Dave Cash |
| That Means A Lot | P J Proby | Tony Windsor |
In 1960, PJ found himself at #1 in the US Hot Hundred, (UK #24) with Kim Fowley's manufactured group, The Hollywood Argyles and their novelty hit Alley Oop. (See also They're Coming To Take Me Away, Ha Haa! Fab 14th August 66, and Dallas Frazier, Fab 17th July 66) When Jack Good came to England in 1963 to produce The Beatles' TV special, he brought some P.J. demos which impressed Brian Epstein and the Fabs to the extent that P.J. was flown over from the States to participate in the show, which was broadcast world-wide via Telstar. P.J.'s beribboned ponytail hair style plus his on-stage gyrations, which resulted in the infamous on-stage 'split pants' incident, scandalised an easily-shocked British nation in January 1965. The over-stressed trouser velvet gave up the ghost again a couple of days later, resulting in over-reaction by theatre management and TV companies, barring the singer from performing or even making personal appearances. He released the single, I Apologise as an appeasement. Here, I have to disagree with the following statement from P.J's website "I Apologise still reached number 11 in the charts with no radio or television promotion." That certainly wasn't the case with offshore radio, where a great deal of promotion was going on! It was inevitable that Kenny and Cash would award Mr Proby the nickname of P 'The Knees' Proby and in 1965, P 'The Knees' spent many weeks in the Radio London Fab Forty. I Apologise appeared as a climber on Feb 14th, entered the Fab at #27 the following week and stayed in the chart for six weeks, peaking at #2. Let the Water Run Down was picked as Disc of the Week for June 20 and enjoyed another long run in the Fab, peaking at #3. A month later, P 'The Knees' is back with That Means a Lot, one of the lesser-known Lennon/McCartney compositions. The Beatles' own version is on 'Anthology 2'. Radio London (and no doubt, other offshore stations) was also arranging promotions for P 'The Knees' , as fellow #2 Fab Forty artiste, David Ballantyne, recalls:
Dates and details of P 'The Knees' tour dates and his
latest releases are on the P.J. website |
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The Caroline 'Sounds of '65' chart (south ship) for this week, with 'Il Silenzio' stuck at #18, is here
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