for
Sunday 6th August 1967
the last-ever Radio London Climber List
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| DJ Climbers | Release date |
||
| The Sound Of The Summer | Chocolate Watch Band | 11/08/67 |
Chuck Blair & Dave Cash |
| Good Times | Eric Burdon and the Animals | 1/09/67 |
Tony Brandon & Chris Denning |
| Foolin' Around | Chris Montez | 11/08/67 |
Ian Damon & Pete Brady |
| It's A Happening World | Tokens | 11/08/67 |
Pete Drummond & Earl Richmond |
| Pattern People | Glenn Weston | 18/08/67 |
Paul Kaye & Dave Dennis |
| Forever | Dave Berry | 11/08/67 |
Mike Lennox & Kenny Everett |
| The Burning Of The Midnight Lamp | Jimi Hendrix Experience | 1/09/67 |
John Peel & Norman St John |
| Happy | Sunshine Company | 18/08/67 |
Mark Roman & Duncan Johnson |
| The World We Knew (Over And Over) | Frank Sinatra | 11/08/67 |
Ed Stewart & Tony Windsor |
| I'll Coat Your Mind With Honey | New Christy Minstrels | 4/08/67 |
Tommy Vance & Tony Blackburn |
| Is It Love | Jon | 18/08/67 |
Willy Walker & Keith Skues |
|
|
The story on the left appeared in Record Mirror, dated July 29th 1967. However, The Daughters of the American Revolution played no part in the resignation. Booking Hendrix on a Monkees' tour was an ill-conceived notion, doomed to failure. Young girls dedicating themselves to worshipping idols who (by the Monkees' own admission) were not even permitted to perform on their own singles, were hardly likely to be impressed by a wild-haired musical maestro. Hendrix soon realised that he was wasting both his time and talents and quit the tour of his own accord. The 'too erotic' story was written as a spoof by Australian journo Lillian
Roxon, a friend of singer Lynne Randell (see
FF 160767) who was also appearing on the Monkees' tour. Lynne's biography
reveals: Record Mirror cites DAR pressure as the 'official reason' for Hendrix's
departure. It's in the paper, so it must be true. |
Besides climbers that were played at the time of the broadcast of the Sunday Fab Forty, Alan kept a note of others he heard until August 14th and incorporated them into his list.
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| Climbers: | Release date |
|
| I'll Stay By Your Side | Shiralee | 4/08/67 |
| Don't Go Out In The Rain | David Garrick / Swinging Blue Jeans | 25/08/67 (both) |
| Just Leave It To Me | Tony Brandon | Unreleased |
| Come Back When You Grow Up | Bobby Vee | 25/08/67 |
| A Little Bit Of Shangri-La | Our Plastic Dream | 11/08/67 |
| Portobello Road | Spectrum | 4/08/67 |
| On Love | Skip Bifferty | 11/08/67 |
| She Needs Company | Helen Shapiro | 25/08/67 |
| Exclusive: | ||
| We Love You /Dandelion | Rolling Stones | 25/08/67 |
| Big L's Farewell Dedication to the Postmaster General: | ||
| There Must Be A Way | Frankie Vaughan | 11/08/67 |
| Disc of the Week: | ||
| There I Go | Vikki Carr | 18/08/67 |
| Album of the Week: (courtesy of Brian Long - see below) | ||
| Piper At The Gates Of Dawn | Pink Floyd | |
| Additional Climbers observed by Brian Long | ||
| The Great Banana Hoax | Electric Prunes | 11/08/67 |
| Theodore | Silver Eagle | 1/09/67 |
| Flowers In Your Hair | John Williams | 18/08/67 |
Brian Long lists the last Album of the Week as Piper At the Gates of Dawn by Pink Floyd, but Alan did not hear it announced as such. It was likely there were so many records to get through in the final Fab that the announcement simply got missed. The album was certainly aboard the Galaxy, as John Peel played two tracks from it during the last Perfumed Garden. Brian says: "I've just looked at the last Field's Fab 40 fascinating
stuff. It illustrates just how difficult it can be to come up with the
definitive playlist. Here are a few examples of what I mean. The producer of the Oldies Project Forty Years Ago programme, Kees Brinkerink and his friend Rob Mesander, have been wondering for a while why Radio London never played The Flowerpot Men's Let's Go to San Francisco or the Herd's From the Underworld, both of which became national Top Ten hits. This led to an investigation of the release dates of some of the records on the final Radio London chart. All the climbers are now listed with their issue dates. In Radio London's final few weeks, the record companies were clamouring to have their latest singles played. With most of the offshore stations closing, Caroline's future far from certain and Radio One not opening till September 30th (and in any case, still subject to needle time) airplay of any new releases was bound to be restricted and competition for a few final Radio London plays would have been fierce. As Brian says, records were being shipped out daily. An amazing 73 singles were crammed into the last Big L playlist and we believe that others were aired that were not on the list. Three records that had been high in the previous week's chart were suddenly relegated to the Soul Set and Ballad Box to make way for others to enter the Fab 'Forty'. It becomes evident that it is virtually impossible to know precisely what was played during Radio London's final days and what was not. Let's Go to San Francisco saw its official release on 04/08/67 and From the Underworld's release date was 11/08/67, but other singles that came out around the same dates – some of them not on sale till September – did feature on the final Big L playlist. We can but speculate as to why some made the list and some did not, but in a lot of cases, sheer luck must have played its part. It's possible that the the record companies failed to rush pre-release copies to the ship in time and also possible that the office received them, but failed to send them out there. It must have been a chaotic time, both on the ship and in the Curzon Street offices. With huge sacks of farewell mail arriving daily, the Big L offices were undoubtedly swamped with it. Quite a lot of things must have got lost! Kees says: "Rob Mesander spotted one instance of The Last Waltz (how appropriate!) by Engelbert Humperdinck being played on Big L, although the song seems not to have been a climber. It was released on Friday, August 18th, the same day and on the same label as We Love You by the Rolling Stones.' (See item below) Looking at my own notes from some Caroline recordings, I find that Let's Go to San Francisco was a Caroline Sure Shot in the week of August 12th and was at no. 22 on September 2nd." |
Brian has kindly scanned a copy of the original Final Fab list, as typed in the Curzon Street office. To view a larger version, click on the picture.
Album of the Week – Piper at the Gates of Dawn
Frankie Vaughan, doing what listeners wanted to do to the Postmaster General – kick him hard! |
At least Tony was not allocated his own single as a climber! Just Leave It To Me is probably the most elusive Fab Forty track of all, as even Tony himself does not own a copy. This is why the only way to include it in the Oldies Project show is to use a 1967 recording edited from an edition of the Pete Drummond Show. Brian Long reports that although this recording was played during the final days of Radio London, the single was never given a commercial release. Tony did return to the studios to make other recordings, including Candy Kisses, issued in 1968, and Sleep Little Children released in 1972 (Photo thanks to Hans Knot) |
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We Love You had been rush-recorded as a 'thank
you' to the press and the fans who had supported the Stones
following drug-bust arrests of Mick, Keith
and (later) Brian. The single starts
with 'prison' sound effects of clanking chains and a slamming cell door.
Lennon and McCartney
sang backing vocals while Brian Jones experimented with a Mellotron. The official release of the Stones single (August 18th) would have occurred too late for inclusion in the final Big L chart, but an acetate copy had arrived on the ship on August 5th. Acetates were test-pressing copies of singles but were not been manufactured to last for more than a few trial plays. The usual Radio London procedure with acetates was to record them onto cartridges for airplay. (See also Brian Long's previous comments about the final Fab Forties) Rolling Stones collector, Maria L Scott, bought a double-sided copy of the single via eBay, from a gentleman in the UK. It is unusual, as acetates were usually recorded on one side only. Maria has kindly scanned the record in question and is anxious to discover a little about the history of her 'treasure' and if it was likely to have been the actual record sent out to the Galaxy. Such provenance would be very difficult to establish, but it seems most unikely in this case, as Maria's record appears to be a US pressing. |
| I'll Stay By Your Side | Shiralee | Fontana TF 855 |
The Shiralee, formerly the
Albert Square Group, were Graham
Barnes, Kevin Cummings, Peter Rikart,
Bernie Clarke, Ken Golding and someone we have been able to identify
only as 'Tim'. Bernie Clarke wrote the
single's B-side, Penny Wren.
'Shiralee' is an Australian term for a 'swag bag', and The Shiralee
is the title of a Syd James drama made
by Ealing Films, released in 1957. Whether the group was named after the bag,
or the film, is unknown.
|
From The Danish Sixties Rock and Pop Information site (the site link no longer appears to work), I learnt that The Lollipops reached #17 in a monthly TOP-20 chart, which appeared in the magazine HIT, and was compiled and presented by DJ Jorgen De Mylius. |
The Danish site Dansk
Rock Pigtrad og beat, has a section about a trio called The
Lollipops, (scroll down the group menu on the left of
the page) which says (I apologise for being unable to reproduce
the special characters): I don't speak a word of Danish, but I have deduced from the above that the Lollipops were given some good early exposure on Sweden's offshore station Radio Syd, and that I'll Stay By Your Side was written by Torben Lundgreen, the band's lead-vocalist and lead guitarist, and his brother Jorgen, (vcls, rthm gtr). Per Alarud then very kindly sent me the following proper translation, plus a photograph of a Lollipops' picture sleeve: "The Lollipops were introduced to the Swedish audience by the
pirate station Radio Syd. In record time they had received idol worship
and fan hysteria never experienced before. |